Biography
Education
|
2015 2013 1999 |
Master of Teaching, Monash University, Clayton Master of Fine Art, Monash University, Caulfield Bachelor of Fine Art (Honours) Painting, Victorian College of the Arts, Melbourne |
Grants and Awards
| 2012 | Postgraduate Travel Grant, Monash University, Caulfield |
| 2005 | New Work, Visual Arts/Crafts Board, Australia Council for the Arts, Australian Government, Sydney |
| 2002 | Wyndham City Contemporary Art Prize, City of Wyndham, Werribee |
| 2001 | Visual Art Alumni Award, Victoria University, Melbourne |
| 2000 | Mentorship, Victorian College of the Arts, Melbourne |
| 1996 | Maude Glover Fleay Award, Victorian College of the Arts |
Professional Experience
| 2001 | Drawing Teacher, Victoria University, Department of Art, Design and Multimedia, Sth. Melbourne Campus |
| 2000-01 | Committee Member, TCBincART Gallery, Level One, 12 Waratah Place, Melbourne |
| 1996-98 | Member artist collaborative, DAMP, Melbourne |
Exhibitions
Solo:
| 2013 |
The Lost Object of Love, MADA Gallery, Monash University, Caulfield |
| 2009 | Ghost, Trocadero Art Space, Footscray |
| 2007 | Fear of People, Glen Eira City Council Galley, Caulfield |
| 2005 | Unnoticed, 24/seven, Melbourne |
| 2003 | Mothers and Babies, Gertrude Contemporary Art Spaces, Fitzroy |
| 1999 | Family Matters, TCB Art Inc., Melbourne |
| 1996 | Illusion and Vulnerability, Transfield Obayashi City Link Site Hoardings, St. Kilda Rd., Melbourne |
Selected Group and Collaborative:
2014 NWOP, Morninton Peninsula Regional Gallery, Victoria
Rick Amor Drawing Prize, Ballarat Fine Art Gallery,Victoria
| 2011 | The Rest Is Silence, Death Be Kind, Brunswick |
|
2007 |
Public Space/Private Lives, Glen Eira City Council Gallery, Caulfield |
| 2005 | Suck, Geelong Gallery and Ballarat Fine Art Gallery, Victoria |
| 2004 | Suck, Maroondah Art Gallery, Ringwood |
| 2000 | Rearvision, Span Galleries, Melbourne |
| 1999 | Out of Place (Depayse), Westspace, (FedSquare), Melbourne |
| 1998 | Ideal Lives, Latrobe Gallery, Morwell, Victoria (with Damp-solo) |
| Everybody Knows, Openspace Care of - Spazio d’art Contemporaena, Milan (with Damp) | |
| Habitat, Centre for Contemporary Photography, Fitzroy (with Damp) | |
| 1997 | Christ I’m Pissed Off! Stop 22, St. Kilda |
| Image and Text installation, (with James Lynch), bus stop art, Melbourne | |
| Clothing Exchange, Grey Area Art Space, Melbourne (with Damp-solo) | |
| 1996 | Kabluey in Kensington, Kensington Special School and Karyn Lovegrove Gallery, Prahran (with A Constructed World) |
Selected Bibliography
Lamb, C & Richardson, E. (Ed), "The Rest is Silence", Death Be Kind, Melbourne, 2012, Artist page (image and text)
Rainbird, S. (Ed), "Harmonic Tremors Aesthetic Interventions in the Public Sphere", Gasworks Arts Park, 2009, pp 56-57
MacNeill, K., "Art That Matters:Identity Politics and the Event of Viewing", published in "The Shock of the Other:Situating Alterities", Horstkotte, S. and Peeren, E., (Eds)Rodopi, 2007, p 18, 117-19, 122-25
Van den Bosch, Dr. A, "Suck: Voices from the Interior", Catalogue essay, Suck, 2004, p. 6
Lovric, J. “Freedom of Expression vs.Freedom From Harm: Artists and Restrictions on Artistic Practice”, Art Monthly Australia, Issue 39, May 2001, pp. 28-31
Timms, P. "The force of farce", The Age, 9 December 1998, Arts p 17
Trioli, V. "The new conservatism", The Age, 4 July 1998, News Extra, p 7
Riva, J. & Lowe, G. (Ed) “James Lynch and Karyn Lindner, Image and Text Installation, Bus Stop Art”, Artfan7, Autumn 1998, p 10
Cawthorne, Z. "Striking A Blow", Herald Sun, 20 November 1997, p 50
McQualter, A. “Art Holds a High Place in my Life, DAMP”, Like Art Magazine, No. 4, Spring 1997, pp.30-32
Freeman, J. "Kennett's art attack", The Sydney Morning Herald, 1 August 1997, Arts p 17
Harden, M. "Who said politics and art don't mix?”, The Melbourne Times, 23 July 1997, Review, p 21
Freeman-Greene, S. "He knows what he likes...”, Good Weekend Magazine, The Age, 24 May 1997, pp.26-33
Dovey, K. "Fast cars, slow cities", Arena Magazine 28, April-May 1997, p 32-37, and back cover
Holt, R. “Censorbility, Political Intervention and Public Art, The Events of October 1996”, Like Art Magazine, No.2, March 1997, pp. 7-10
Harden, M. " Arts short changed", Southern Cross Stonnington, 18 December 1996, p 17
Throsby, D. "Biting The Hand That Feeds", Art Monthly Australia, December 1996, p 29
Taig, C. “Concealment of Art and the Art of Concealment”, Dialogue, December 1996, No. 4, pp.18-21
McCulloch, S. "The show man", The Australian, The weekend review, 30 November 1996, Arts p 10
Feneley S., et al., Review, ABC Television, 28 October 1996
Carbines, L. “Divining Life from a Deep Sense of Loss”, The Age, 17 October 1996, arts pages
Green, S. "Boulevard of big dreams", The Age, News Extra, 12 October 1996, p 24
Tandberg, "Your superiority is no illusion", political cartoon, The Age, 9 October 1996, opinion page
Trioli, V. "Kennett attacked on art cover-up", The Age, 8 October 1996, p 2
Blake, E. "Art, or writing on the wall?”, The Age, 8 October 1996, Metropolitan, back page
Hornsey, C. "Vics show they're open minded", The Herald Sun, 7 October 1996, p 2
Tandberg, "I'm sure they didn't mean you", political cartoon, 5 October 1996, front page
Trioli, V. "Kennett draws the line at art", The Age, 5 October 1996, front page
Collections and Commissions
Private, Australia and New Zealand, Victoria University