Master of Teaching, Monash University, Clayton

Master of Fine Art, Monash University, Caulfield

Bachelor of Fine Art (Honours) Painting, Victorian College of the Arts, Melbourne


Grants and Awards

2012               Postgraduate Travel Grant, Monash University, Caulfield
2005 New Work, Visual Arts/Crafts Board, Australia Council for the Arts, Australian Government, Sydney
2002 Wyndham City Contemporary Art Prize, City of Wyndham, Werribee
2001 Visual Art Alumni Award, Victoria University, Melbourne
2000 Mentorship, Victorian College of the Arts, Melbourne
1996 Maude Glover Fleay Award, Victorian College of the Arts

Professional Experience

2001 Drawing Teacher, Victoria University, Department of Art, Design and Multimedia, Sth. Melbourne Campus
2000-01 Committee Member, TCBincART Gallery, Level One, 12 Waratah Place, Melbourne
1996-98 Member artist collaborative, DAMP, Melbourne





      The Lost Object of Love, MADA Gallery, Monash University, Caulfield

2009 Ghost, Trocadero Art Space, Footscray
2007 Fear of People, Glen Eira City Council Galley, Caulfield
2005 Unnoticed, 24/seven, Melbourne
2003 Mothers and Babies, Gertrude Contemporary Art Spaces, Fitzroy
1999 Family Matters, TCB Art Inc., Melbourne
1996 Illusion and Vulnerability, Transfield Obayashi City Link Site Hoardings, St. Kilda Rd., Melbourne


Selected Group and Collaborative:


2014                      NWOP, Morninton Peninsula Regional Gallery, Victoria      

                              Rick Amor Drawing Prize, Ballarat Fine Art Gallery,Victoria               

2011              The Rest Is Silence, Death Be Kind, Brunswick


Public Space/Private Lives, Glen Eira City Council Gallery, Caulfield
2005 Suck, Geelong Gallery and Ballarat Fine Art Gallery, Victoria
2004 Suck, Maroondah Art Gallery, Ringwood
2000 Rearvision, Span Galleries, Melbourne
1999 Out of Place (Depayse), Westspace, (FedSquare), Melbourne
1998 Ideal Lives, Latrobe Gallery, Morwell, Victoria (with Damp-solo)
  Everybody Knows, Openspace Care of - Spazio d’art Contemporaena, Milan (with Damp)
  Habitat, Centre for Contemporary Photography, Fitzroy (with Damp)
1997 Christ I’m Pissed Off! Stop 22, St. Kilda
  Image and Text installation, (with James Lynch), bus stop art, Melbourne
  Clothing Exchange, Grey Area Art Space, Melbourne (with Damp-solo)
1996 Kabluey in Kensington, Kensington Special School and Karyn Lovegrove Gallery, Prahran (with A Constructed World)


Selected Bibliography

Lamb, C & Richardson, E. (Ed), "The Rest is Silence", Death Be Kind, Melbourne, 2012, Artist page (image and text)

Rainbird, S. (Ed), "Harmonic Tremors Aesthetic Interventions in the Public Sphere", Gasworks Arts Park, 2009, pp 56-57

MacNeill, K., "Art That Matters:Identity Politics and the Event of Viewing", published in "The Shock of the Other:Situating Alterities", Horstkotte, S. and Peeren, E., (Eds)Rodopi, 2007, p 18, 117-19, 122-25

Van den Bosch, Dr. A, "Suck: Voices from the Interior", Catalogue essay, Suck, 2004, p. 6

Lovric, J. “Freedom of Expression vs.Freedom From Harm: Artists and Restrictions on Artistic Practice”, Art Monthly Australia, Issue 39, May 2001, pp. 28-31

Timms, P. "The force of farce", The Age, 9 December 1998, Arts p 17

Trioli, V. "The new conservatism", The Age, 4 July 1998, News Extra, p 7

Riva, J. & Lowe, G. (Ed) “James Lynch and Karyn Lindner, Image and Text Installation, Bus Stop Art”, Artfan7, Autumn 1998, p 10

Cawthorne, Z. "Striking A Blow", Herald Sun, 20 November 1997, p 50

McQualter, A. “Art Holds a High Place in my Life, DAMP”, Like Art Magazine, No. 4, Spring 1997, pp.30-32

Freeman, J. "Kennett's art attack", The Sydney Morning Herald, 1 August 1997, Arts p 17

Harden, M. "Who said politics and art don't mix?”, The Melbourne Times, 23 July 1997, Review, p 21

Freeman-Greene, S. "He knows what he likes...”, Good Weekend Magazine, The Age, 24 May 1997, pp.26-33

Dovey, K. "Fast cars, slow cities", Arena Magazine 28, April-May 1997, p 32-37, and back cover

Holt, R. “Censorbility, Political Intervention and Public Art, The Events of October 1996”, Like Art Magazine, No.2, March 1997, pp. 7-10

Harden, M. " Arts short changed", Southern Cross Stonnington, 18 December 1996, p 17

Throsby, D. "Biting The Hand That Feeds", Art Monthly Australia, December 1996, p 29

Taig, C. “Concealment of Art and the Art of Concealment”, Dialogue, December 1996, No. 4, pp.18-21

McCulloch, S. "The show man", The Australian, The weekend review, 30 November 1996, Arts p 10

Feneley S., et al., Review, ABC Television, 28 October 1996

Carbines, L. “Divining Life from a Deep Sense of Loss”, The Age, 17 October 1996, arts pages

Green, S. "Boulevard of big dreams", The Age, News Extra, 12 October 1996, p 24

Tandberg, "Your superiority is no illusion", political cartoon, The Age, 9 October 1996, opinion page

Trioli, V. "Kennett attacked on art cover-up", The Age, 8 October 1996, p 2

Blake, E. "Art, or writing on the wall?”, The Age, 8 October 1996, Metropolitan, back page

Hornsey, C. "Vics show they're open minded", The Herald Sun, 7 October 1996, p 2

Tandberg, "I'm sure they didn't mean you", political cartoon, 5 October 1996, front page

Trioli, V. "Kennett draws the line at art", The Age, 5 October 1996, front page


Collections and Commissions

Private, Australia and New Zealand, Victoria University